「ムガム」の版間の差分

削除された内容 追加された内容
編集の要約なし
編集の要約なし
15行目:
}}
 
ムガムは({{lang-az|Muğam}})(英語でMugham/Mugam)は[[アゼルバイジャン]]の民族音楽の1種で、[[タスニフ]]や[[:en:Ashugs|アシク]]と比較される。<ref>[http://www.unesco.org/culture/ich/index.php?RL=04 Intangible Cultural Heritage - The Azerbaijani Mugham]</ref>ムガムは[[マカーム]]で書かれる。<ref>Music encyclopedias, e.g. [[The New Grove]]'s entry on Azerbaijan.</ref>古典詩と特定地方旋法の即興を複雑に組み合わせた芸術である。ムガムは形式構造である。
It is a highly complex art form that weds classical poetry and musical improvisation in specific local modes. Mugham is a modal system.<ref>{{cite web|title=Weaving chords of beauty in Baku|url=http://www.euronews.com/2013/03/18/weaving-chords-of-beauty-in-baku/|website=www.euronews.com|publisher=[[Euronews]]|accessdate=26 June 2014}}</ref> Unlike Western modes, "mugham" modes are associated not only with scales but with an orally transmitted collection of melodies and melodic fragments that performers use in the course of improvisation.西洋旋法と異なり、ムガム旋法は音階だけでなく、演奏者が即興で奏でる口頭伝達旋律と組み合わされる。<ref name=kent>{{cite web|last1=Hunt|first1=Ken|title=Alim Qasimov and the domino principle|url=http://kenhunt.doruzka.com/index.php/alim-qasimov-and-the-domino-principle/|website=kenhunt.doruzka.com|accessdate=26 June 2014}}</ref> Mugham is a compound composition of many parts. The choice of a particular mugham and a style of performance fits a specific event.ムガムは多くの部分から成る。特定の催事に合わせてどのムガムの演奏を行うか決める。<ref name=kent /> The dramatic unfolding in performance is typically associated with increasing intensity and rising pitches, and a form of poetic-musical communication between performers and initiated listeners.劇的な演奏の展開は一般的に高まる緊張と上昇する音程と、演奏者と聞き手の間の詩的音楽意思疎通形式から成る。<ref name=kent />
 
It is a highly complex art form that weds classical poetry and musical improvisation in specific local modes. Mugham is a modal system.<ref>{{cite web|title=Weaving chords of beauty in Baku|url=http://www.euronews.com/2013/03/18/weaving-chords-of-beauty-in-baku/|website=www.euronews.com|publisher=[[Euronews]]|accessdate=26 June 2014}}</ref> Unlike Western modes, "mugham" modes are associated not only with scales but with an orally transmitted collection of melodies and melodic fragments that performers use in the course of improvisation.<ref name=kent>{{cite web|last1=Hunt|first1=Ken|title=Alim Qasimov and the domino principle|url=http://kenhunt.doruzka.com/index.php/alim-qasimov-and-the-domino-principle/|website=kenhunt.doruzka.com|accessdate=26 June 2014}}</ref> Mugham is a compound composition of many parts. The choice of a particular mugham and a style of performance fits a specific event.<ref name=kent /> The dramatic unfolding in performance is typically associated with increasing intensity and rising pitches, and a form of poetic-musical communication between performers and initiated listeners.<ref name=kent />
 
Three major schools of mugham performance existed from the late 19th and early 20th centuries in the regions of Karabakh, Shirvan, and Baku. The town of [[Shusha]] of [[Karabakh]] was particularly renowned for this art.<ref>{{cite web|title=Şuşaya qayıdana qədər....|url=http://aktual.az/print.php?id=4063|website=aktual.az|accessdate=29 June 2014|language=Azerbaijani}}</ref>