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*Chantefleurs et Chantefables pour soprano et orchestre, 1991
*Symphonie nº 4, 1993
*Witold Lutosławski – Guide to Warsaw: Marszałkowska 21. NIFC 2013
*Witold Lutosławski – Guide to Warsaw: Plac Trzech Krzyży 18. NIFC 2013.
*Lutosławski – Guide to Warsaw: Konopnickiej 6. NIFC 2013.
*Witold Lutosławski – Guide to Warsaw: Mazowiecka 12. NIFC 2013.
*Witold Lutosławski – Guide to Warsaw: Królewska 11 („SiM”); Szpitalna 5 („Lira”); Mazowiecka 5 (Aria, U Aktorek). NIFC 2013
*Panufnik (1987): see particularly Chapter 8, Occupation, for an account of Panufnik and Lutosławski's duo in German-occupied Warsaw
*Stucky (1981), pp. 36–37; Stucky (1981) p. 63 quotes Lutosławski speaking in 1957, "[I]t is difficult to conceive of a more absurd hypothesis than the idea that the achievements of the past several decades should be abandoned and that one should return to the musical language of the nineteenth century .... The period of which I speak may not have lasted long ... but all the same it was long enough to do our music immense harm."
*Varga (1976)
*Stucky (1981), chapter 3, The years of transition: 1955–1960
*Earlier use of a similar technique has been noted in the music of American composer Alan Hovhaness, for example see Lynn Fisher (8 June 2010). "Early Aleatory Counterpoint". *AleaCounterpoint. Retrieved 21 June 2010.
*"1985- Witold Lutoslawski".
*Bodman Rae (1999), p. 225, see also p. 271n
==受賞歴==
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