「ジョニー・キャッシュ」の版間の差分

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'''ジョン・R・"ジョニー"・キャッシュ'''（John R. "Johnny" Cash、[[1932年]][[2月26日]] - [[2003年]][[9月12日]]）は、[[アメリカ合衆国]]の[[シンガーソングライター]]、[[俳優]]、[[作家]]<ref name = "lastfm">{{Citation | publisher = [[Last.fm]] | year = 2010 | url = http://www.last.fm/music/Johnny%2BCash%2B%2526%2BJune%2BCarter | title = Johnny Cash & June Carter | accessdate = January 20, 2010}}</ref>、[[カントリー・ミュージック|カントリー]]、[[ロックンロール|ロック]]、ロカビリー[[歌手]]、[[作曲家]]。カントリー・ミュージシャンを中心に、20世紀の一部のミュージシャンに影響を与えたと見られている<ref>{{Citation | first=Stephen | last=Holden | newspaper=[[The New York Times]] | date=September 13, 2003 | url=http://www.nytimes.com/2003/09/13/arts/johnny-cash-country-music-bedrock-dies-at-71.html?pagewanted=all&src=pm | title=Johnny Cash, Country Music Bedrock, Dies at 71 | accessdate=February 25,

 

特徴のある深いバス=バリトンの[[声]]{{Refn | group = "lower-alpha" | Although Cash's [[voice type]] endured over the years, his [[timbre]] changed noticeably: "Through a recording career that stretche[d] back to 1955", Pareles writes, Cash's "bass-baritone voice [went] from gravelly to grave".{{Sfn | Pareles | 1994}}}}{{Sfn | Urbanski | 2003 | p = [http://books.google.com/books?id=x_dK-0HfHUYC&printsec=frontcover&source=gbs_navlinks_s#v=onepage&q=&f=false xiv]}}、バックバンドの[[ザ・テネシー・スリー]]の独特のサウンド、憂鬱と謙虚な振る舞い{{Sfn | Pareles | 1994}}を併せ持つ反逆のイメージ<ref name = "Dickie">{{Citation | last = Dickie | first = M | year = 2002 | contribution = Hard talk from the God-fearin’, pro-metal man in Black | editor-first = M | editor-last = Streissguth | url = http://books.google.com/books?id=3pNFreWKHZgC&printsec=frontcover&source=gbs_navlinks_s#v=onepage&q=&f=false | title = Ring of fire: The Johnny Cash reader | place = Cambridge, MA | publisher = Da Capo | pages = 201–5 | origyear = 1987}}</ref><ref name = "Streissguth_profile">{{Citation | last = Streissguth | first = M | year = 2006 | url = http://books.google.com/books?id=BBRDZoBeI88C&printsec=frontcover&source=gbs_navlinks_s#v=onepage&q=&f=false | title = Johnny Cash | type = biography | place = Philadelphia | publisher = Da Capo | page = 196}}</ref>、刑務所の無料コンサート<ref name="Fox">{{Citation | last = Fox | first = JA | date = October 17, 2005 | url = http://www.baylor.edu/pr/bitn/news.php?action=story&story=37416 | newspaper = The Boston Herald | title = Hard time's never a 'circus' | publisher = [[Baylor University]] | accessdate = March 22, 2010 | archiveurl = https://web.archive.org/web/20060920020148/http://www.baylor.edu/pr/bitn/news.php?action=story&story=37416 | archivedate = 2006年9月20日 | deadurldate = 2017年9月 }}</ref>{{Sfn | Streissguth | 2005}}、[[ニックネーム]]「メン・イン・ブラック」の元となったトレードマークの黒服の着用で知られている{{Refn | group = "lower-alpha" | For Cash, black stage attire was a "symbol of rebellion—against a stagnant status quo, against... hypocritical houses of God, against people whose minds are closed to others' ideas".{{Sfn | Cash | Carr | 2003 | p = [http://books.google.com/books?id=JPbbxoWZdSwC&printsec=frontcover&source=gbs_navlinks_s#v=onepage&q=&f=false 64]}}}}。コンサートでは常にシンプルに「''Hello, I'm Johnny Cash.'' 」で始まり{{Refn | group = "lower-alpha" | Schultz refers to this phrase as Cash's "trademark greeting", and places his utterance of this line, on Cash's ''[[At Folsom Prison]]'' album, "among the most electrifying [seconds] in the history of concert recording."<ref name="Schultz">{{Citation | last = Schultz | first = B | date = July 1, 2000 | url = http://mixonline.com/mag/audio_classic_tracks_johnny/ | title = Classic Tracks: Johnny Cash's 'Folsom Prison Blues' | newspaper = [[Mix (magazine)|Mix]] | accessdate = March 22, 2010 | archiveurl = https://web.archive.org/web/20100102091058/http://mixonline.com/mag/audio_classic_tracks_johnny/ | archivedate = 2010年1月2日 | deadurldate = 2017年9月 }}</ref>}}、続いて名曲『''[[:en:Folsom Prison Blues|Folsom Prison Blues]]'' 』を演奏していた。