ファイル:Dominic Serres the Elder - The Capture of Havana, 1762- The Morro Castle and the Boom Defence Before the Attack.jpg

元のファイル(2,500 × 1,217 ピクセル、ファイルサイズ: 137キロバイト、MIME タイプ: image/jpeg)

概要

ドミニク・セレス: The Capture of Havana, 1762: The Morro Castle and the Boom Defence Before the Attack   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
作者
ドミニク・セレス  (1722–1793)  wikidata:Q3035468
 
ドミニク・セレス
別名
Dominic Serres the Elder
説明 英国の-フランスの 画家
生年月日・没年月日 1722年 ウィキデータを編集 1793年 ウィキデータを編集
出生地・死没地 オーシュ メリルボーン (ロンドン)
活動拠点
ロンドン (1758年–1793年); スペイン; ハンブルク ウィキデータを編集
典拠管理
artist QS:P170,Q3035468
タイトル
The Capture of Havana, 1762: The Morro Castle and the Boom Defence Before the Attack
label QS:Len,"The Capture of Havana, 1762: The Morro Castle and the Boom Defence Before the Attack"
分野 絵画作品
object_type QS:P31,Q3305213
解説
English: A depiction of an episode from the last major operation of the Seven Years War, 1756-63. It was part of England's offensive against Spain when she entered the war in support of France late in 1761. The British Government's response was immediately to plan large offensive amphibious operations against Spanish overseas possessions, particularly Havana, the capital of the western dominions and Manila, the capital of the eastern. Havana needed large forces for its capture and early in 1762 ships and troops were dispatched under Admiral Sir George Pocock and General the Earl of Albemarle.

The force which descended on Cuba consisted of 22 ships of the line, four 50-gun ships, three 40s, a dozen frigates and a dozen sloops and bomb vessels. In addition there were troopships, storeships, and hospital ships. Pocock took this great fleet of about 180 sail through the dangerous Old Bahama Strait, from Jamaica, to take Havana by surprise. Havana, on Cuba's north coast, was guarded by the elevated Morro Castle which commanded both the entrance to its fine harbour, immediately to the west, and the town on the west side of the bay. A landing was made without opposition six miles east of the castle on 7 June. On 1 July the 'Cambridge', 80 guns, 'Marlborough', 70 guns, and 'Dragon', 74 guns, were ordered to bombard the castle but were driven off with heavy losses, including Captain Goostrey of the 'Cambridge',. On 30 July a breach was made with mines in a wall of the castle and it was taken by storm. After its capture the fall of Havana was inevitable and took place on 11 August. In addition to stores and valuables, nine Spanish ships of the line were captured.

The painting shows the Spanish preparations before the siege. The Morro Castle is on the left and the entrance to the harbour of Havana is blocked by sunken ships and a boom defence. A gun is being hoisted or lowered above the Shepherd's Battery, with the star-shaped Apostles' Battery (from its twelve embrasures) immediately to the right. This is one of a series of eleven painted by Dominic Serres to illustrate the principal events of the campaign for the Keppel family, of whom three distinguished brothers served at Havana: George Keppel, 3rd Earl of Albemarle (1724-72) was the army commander-in-chief; Commodore the Hon. Augustus Keppel (1725-86), who was naval second-in-command and Major-General the Hon. William Keppel (1727 -82), who directed the storming of the Morro Castle.
日付 1770年
date QS:P571,+1770-00-00T00:00:00Z/9
技法 キャンバス、油絵
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
寸法 高さ: 83.8 cm;幅: 175.3 cm
dimensions QS:P2048,83.8U174728
dimensions QS:P2049,175.3U174728
作品の来歴 Painted for General George Keppel, 3rd Earl of Albemarle (1724–1772) or his brother, Admiral Augustus Keppel, 1st Viscount Keppel (1725–1786), and thence by inheritance to the last owners.
sold at Sotheby's, London, 06 July 2016, lot 43
展示履歴 On long term loan to the National Maritime Museum, Greenwich, 1948 to 2015, accession number BHC0408
銘文等の文字

署名および日付 :

D. Serres . 1770 .
備考 The artist himself knew Havana from his earlier sea-going career and may have lived there for a short period. Serres also did a second set of eleven paintings of the capture Havana, which were engraved by P.C. Canot. Nine of these were entirely different views, one a variant version of the British landing and one a close version of the British fleet enterng the harbour. Serres was a well-born Frenchman from Gascony who ran away to sea in merchant service rather than follow family wish that he enter the Church. He probably arrived in England as a naval prisoner of war, took up painting and settled there. His early paintings show the influence of Brooking and Monamy's interpretations of Dutch art but he rapidly achieved recognition for his more documentary visual accounts of sea actions of the Seven Years War, 1756-63, becoming established as England's leading marine painter. His work was even more in demand in the 1770s and 1780s, recording the naval history of the War of American Independence. In 1768 Serres was a founder member of the Royal Academy and at the end of his life its librarian. A well respected and sociable man, he was appointed Marine Painter to George III in 1780. The painting has been signed by the artist and is dated '1770'.
参考文献 Royal Museums, Greenwich
Sotheby's, London, 06 July 2016, lot 43
情報源/撮影者 National Maritime Museum BHC0408

ライセンス

このファイルは、パブリックドメインの状態にある平面的な美術の著作物を写真術によって忠実に複製したものです。このような複製はアメリカ合衆国においてパブリックドメインの状態にあります。その他の地域では再利用に制限がかかる場合があります。詳しくはReuse of PD-Art photographsをご覧ください。美術の著作物としての原図は、次の理由によりパブリックドメインの状態にあります。
Public domain

この著作物は、著作権の保護期間が著作者の死後100年以下である国・地域においてパブリックドメインの状態にあります。


この著作物は1929年1月1日以前に公表され、又はアメリカ合衆国著作権局に登録されたため、アメリカ合衆国においてパブリックドメインの状態にあります。

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現在の版2011年10月30日 (日) 22:212011年10月30日 (日) 22:21時点における版のサムネイル2,500 × 1,217 (137キロバイト)Botaurus== {{int:filedesc}} == {{Artwork |artist = {{Creator:Dominic Serres}} |title = ''The Capture of Havana, 1762: The Morro Castle and the Boom Defence Before the Attack'' |description = {{en|A depiction of an episode from the last m

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