「利用者:Gisbert K/sandbox」の版間の差分

 

After that, the basset clarinet has gained in importance again since [[Herbert Wurlitzer]] 1984 made a modern bassett clarinett for the world-famous clarinetist Sabine Meyer, wich since then Mozart's clarinet concerto and occasionally his clarinet quintet in the reconstructed versions performed and until later other well-known solo clarinetists followed, e.g. [[David Shifrin]], [[Antony Pay]], [[Kari Kriikku]], [[Alessandro Carbonare]], [[Martin Fröst]], [[Sharon Kam]], [[Colin Lawson]] and [[Shirley Brill]] and [[Annelien Van Wauwe]]. The American clarinetist [[Charles Neidich]], the Italian Luca Lucchetta, the Dutch Vlad Weverbergh and the Swedish [[Stefan Harg]], all committed to historical performance, play Mozart on replicas of Stadler's basset clarinet. Also in performances of Mozart's opera [[La clemenza di Tito]] in the aria of the Sesto "Parto, ma tu ben mio" (No. 9), the prescribed basset clarinet obbligato in B{{music|flat}} is increasingly used instead of a normal clarinet, also in concert performances of this aria, so at the performances of the opera 2017 in Salzburg and 2018 in Amsterdam with the clarinetist Florian Schüle on stage. This instrument is seldom used in jazz and klezmer music. The German jazz clarinetist Theo Jörgensmann plays a B{{music|flat}} basset clarinet.

 

== 建設 ==